The author follows a concert grand (number K0862) through the 11-month building process in the Steinway factory in New York. This was quite interesting. But not as interesting as I had hoped. I was looking for more history of the piano, not so interested in the assembly and mechanical details.
He does a good job of conveying the individuality of the pianos; I also liked the stories of the various world-class pianists associated with Steinway.
As far as history, one does get a sense of the ascent of the piano - really a late 19th and early 20th century phenomenon. As discussed in the Liszt biography, the piano was developed into its modern form at that time and became something of a status symbol - communicated both prosperity and culture, so who wouldn't want one sitting in the front room?
The drop-off in sales was massive once radio - and then the real killer, TV - became mainstream.And I learned that I've heard K0862 (now renumbered CD-60 after assignment to Steinway's concert division, where the best grands go) on a recording by a family group - the "Five Browns" - they used the piano on their debut album, which I had received as a gift from one MB Stern.
Anyway, this read like a long newspaper article. Which basically is what it is . . .
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