"To compensate a little for the treachery and weakness of my memory, so extreme that it has happened to me more than once to pick up again, as recent and unknown to me, books which I had read carefully a few years before . . . I have adopted the habit for some time now of adding at the end of each book . . . the time I finished reading it and the judgment I have derived of it as a whole, so that this may represent to me at least the sense and general idea I had conceived of the author in reading it." (Montaigne, Book II, Essay 10 (publ. 1580))

Wednesday, September 18, 2019

Stalingrad (Vasily Grossman, 1952 (English translation 2019)

(961 pages)

Companion work with Grossman's Life and Fate (wonderful in its own right).

This book was written much more circumspectly than Life and Fate - it was sufficiently congenial to Soviet censors such that it was published in 1952.  This one gets a little tiresome from time to time - collective farm enthusiasts, anxious to fight, etc. - yet it doesn't ignore the issue of occasionally corrupt leaders.

The bit about the political instructors in the army - perhaps the most blatant propagandizing - was a bit surprising, my take (based on limited knowledge) was that these folks were annoying, interfered with military decisions.  No mention of shooting deserters.

As I was occasionally finding myself annoyed with the propagandizing . . . it occurred to me that great literature so often has this aspect, more or less, and can be great nonetheless - Old Testament stories, Aeneid, Koran, any history written by a victor or someone wanting to make a point.  In some ways I suppose it helps illustrate the world in which the writer was functioning.

Main point:  in the end the book is full of well-written stories of all walks of Russian life experiencing WWII and, in particular, the Stalingrad battle and its context - by an author who clearly had been there - deeply knowledgeable.

Per the "introduction," the character Krymov is Grossman's voice; he articulates pro-Communist positions; sometimes sounding like Rubin in The First Circle.

War and Peace analogies were intentional - key character visits the Tolstoy homestead.

Many great characters, including a peasant in first part of the book - Vavilov - he learns soldiering as an older draftee.  Early stages of the war reminiscent of that summer of 1914 (through Novikov's eyes).  Krymov tells other stories of 1941 - caught in Kiev encirclement, escapes with 200; returning to the front in 1942.  Description of the first saturation bombing run over Stalingrad was excellent.

I also much liked the stories of folks holding out in the tractor factory.

Stalingrad situation was entirely epic.


Monday, September 16, 2019

Buddha in the Attic (Julie Otsuka, 2011)

(129 pages)

Book club selection (via Rose; session held 15 September 2019).

Really well written story of Japanese "picture brides" who came over to the U.S (in early 20th century, I believe).  Starts with their high hopes on the boat coming to the U.S., moves through disappointments when they meet their actual husbands, then they settle in and build lives.

Conscious decision by author, editor, publisher - super-low key, no individual characters following a plot, short; leads up to WWII interment camps, but provides no "here's what happened after the internment."

Like poetry; incredibly dense.  I was somewhat discouraged around the halfway mark, then was sorry it was ending.

It does make one think of what I'll call national traits - immigrant groups did (probably still do) bring some characteristics that can be generalized, no matter how out of fashion this might have become.   Japanese immigrants thriving in California.

Also makes one think about the power of groups in general, or tribes; the "other"; mob mentality can turn on the "other" - seems like an intractable problem (though I do think there is overall progress).

The book also provided another useful take at describing being a stranger in a strange land.