"To compensate a little for the treachery and weakness of my memory, so extreme that it has happened to me more than once to pick up again, as recent and unknown to me, books which I had read carefully a few years before . . . I have adopted the habit for some time now of adding at the end of each book . . . the time I finished reading it and the judgment I have derived of it as a whole, so that this may represent to me at least the sense and general idea I had conceived of the author in reading it." (Montaigne, Book II, Essay 10 (publ. 1580))

Wednesday, September 18, 2019

Stalingrad (Vasily Grossman, 1952 (English translation 2019)

(961 pages)

Companion work with Grossman's Life and Fate (wonderful in its own right).

This book was written much more circumspectly than Life and Fate - it was sufficiently congenial to Soviet censors such that it was published in 1952.  This one gets a little tiresome from time to time - collective farm enthusiasts, anxious to fight, etc. - yet it doesn't ignore the issue of occasionally corrupt leaders.

The bit about the political instructors in the army - perhaps the most blatant propagandizing - was a bit surprising, my take (based on limited knowledge) was that these folks were annoying, interfered with military decisions.  No mention of shooting deserters.

As I was occasionally finding myself annoyed with the propagandizing . . . it occurred to me that great literature so often has this aspect, more or less, and can be great nonetheless - Old Testament stories, Aeneid, Koran, any history written by a victor or someone wanting to make a point.  In some ways I suppose it helps illustrate the world in which the writer was functioning.

Main point:  in the end the book is full of well-written stories of all walks of Russian life experiencing WWII and, in particular, the Stalingrad battle and its context - by an author who clearly had been there - deeply knowledgeable.

Per the "introduction," the character Krymov is Grossman's voice; he articulates pro-Communist positions; sometimes sounding like Rubin in The First Circle.

War and Peace analogies were intentional - key character visits the Tolstoy homestead.

Many great characters, including a peasant in first part of the book - Vavilov - he learns soldiering as an older draftee.  Early stages of the war reminiscent of that summer of 1914 (through Novikov's eyes).  Krymov tells other stories of 1941 - caught in Kiev encirclement, escapes with 200; returning to the front in 1942.  Description of the first saturation bombing run over Stalingrad was excellent.

I also much liked the stories of folks holding out in the tractor factory.

Stalingrad situation was entirely epic.


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