"To compensate a little for the treachery and weakness of my memory, so extreme that it has happened to me more than once to pick up again, as recent and unknown to me, books which I had read carefully a few years before . . . I have adopted the habit for some time now of adding at the end of each book . . . the time I finished reading it and the judgment I have derived of it as a whole, so that this may represent to me at least the sense and general idea I had conceived of the author in reading it." (Montaigne, Book II, Essay 10 (publ. 1580))

Showing posts with label Rand. Show all posts
Showing posts with label Rand. Show all posts

Monday, September 28, 2015

The Fountainhead (Ayn Rand, 1943)

This author of course provokes all sorts of reactions.  Complicated by efforts to shape, or modify, her legacy.

My reaction after now reading four of her novels:  she's continually thought-provoking and highly worthwhile.  The characters and the story lines do seem over the top, but I have to believe that's intentional on her part.

The Fountainhead is the story of Howard Roark (the architect).  I've seen most of the movie version (Gary Cooper, Patricia Neal) but for whatever reason hadn't picked up the book before.

Ellsworth Toohey, Peter Keating, Dominique Francon, etc.

Saturday, June 11, 2011

We The Living (Ayn Rand, 1936)

An early novel by Rand - published when she was 30. She describes it as semi-autobiographical. She grew up in Russia in the early days of Communism - and had what now seems like a pretty good take on the system even though both she and the Communist state were quite young.

The theme is the individual being overwhelmed by the collective. Along the way, shows the hypocrisy of the too-often venal Party leaders (who live well while the population stands in lines, lacks food, is shipped to Siberia at a faster rate than under the czar, forced to attend classes - the whole "party line" thing).

The protagonist is Kira; she interacts primarily with Leo (who wasn't a compelling character, not sure why Kira fell for this guy) and Andrei (joined the Party in the early going and is disillusioned as things develop). Plenty of other characters are developed. Sasha and Iruna scene on the train is extremely effective (and sad).

Not great, but a good read. I continue to have the same outlook on Rand - politically incorrect, oversimplifies, but plenty of things definitely worth thinking about.

Sunday, May 01, 2011

Anthem (Ayn Rand, 1938)

This is a quite-short work by Ayn Rand - I think it was something of a warm-up for Atlas Shrugged and the Fountainhead. Dystopian future where collectivism has ended up degrading society and individuality is entirely suppressed. A person named Equality 7-2521 breaks out.

Rand is taking lots of the usual criticisms these days in the mainstream media, occasioned by the recent release of a film version of Atlas Shrugged (apparently not a particularly great film version). I continue to think that she has a lot to say, and also continue to think that folks who pick away at elements of "positivism" probably quite correctly find lots of flaws . . . but overall her message has quite a bit of value, especially these days.

Reminded me of Love Among the Ruins, from this collection of Evelyn Waugh short stories.

Also some elements of A Canticle for Leibowitz, described here.

And the suppression of the individual certainly resonates with just-read "Everything Flows".

Monday, March 01, 2010

Atlas Shrugged (Ayn Rand, 1957)

Kerry and Nicole had bought this book for me for Christmas. Because I had reached my early 50s without actually reading any of Rand's stuff.

I can see why her writings have gained in popularity - the Obama "hope and change" ruse fits right in with her messaging.

Her characters reminded me a bit of a Dan Brown novel, so that part wasn't so great for me. But the messaging - especially accessible to anyone who on any scale funds situations and gets to observe the too-common reactions of some of those being funded - is spot-on. Writ large, it's the increasingly tiresome rhetoric from politicians and non-profits in endless attack on their sole funding source - the sliver of the population that actually produces the wealth that keeps the entire system afloat.

The mistake of kowtowing to the takers' faux moralizing.

John Galt's best line: "Get the hell out of my way!"