The Secret Agent (Joseph Conrad, 1907)

246 pages.

Joseph Conrad remains a favorite author.  So skilled at making characters multi-dimensional - not cartoonish, not good/bad.

Discussion between Assistant Commissioner and Chief Inspector - so good at describing organizational behavior.  A good example of the multi-dimensional characterizations.

The anarchists.  Humans.  True believers more or less; for some it's more of a job.  I like the way he handles them here; perhaps liked it better in Conrad's "Under Western Eyes".

Great description of the types of personalities that gravitate toward the far left (pp 42-43 in the Penguin paperback).  (Of course I don't think that's a great place to end up, so perhaps that's why I like the description so much!)

Mr. Verloc.  His wife (Winnie), and her mother and brother (Stevie, poor thing).  Chief Inspector Heat - competent - made me think of the similar character/role in two Dickens novels (Our Mutual Friend and Bleak House).

A good read.  Even if I didn't love the wind-up.

Under Western Eyes (Joseph Conrad, 1911)

Conrad remains one of my favorite authors; almost in the zone with Dostoevsky, Mann, Solzhenitsyn.

Had never heard of this book but recently saw a favorable review in WSJ.  Many overlaps with this book (published 39 years earlier, surprisingly enough - the themes endured in Russia).

Protagonist (Razumov) is a student in St. Petersburg unwittingly drawn into an assassination situation when the assassin (fellow student Haldin) shows up in Razumov's room shortly after the deed, seeking safety until he can make his escape.  Haldin ends up getting arrested and executed in pretty short order.

All this puts Razumov - getting attention from anarchists and police alike - in a very difficult situation; he seeks to cope throughout the story.

Razumov is the illegitimate son of Russian noble who has a small role in the tale; Razumov grew up without family and very much a loner; this plays into his handling of the situations he encounters.  Razumov had simply wanted to thrive in his schooling and get a decent job - this avenue was now completely closed.

Razumov is whisked out of Russia and into Switzerland shortly after the assassination.  Where he encounters the assassin's sister and mother - previously sent abroad by Haldin in anticipation of trouble for them should he succeed in the assassination.  These two quite naturally are most interested in what happened to Haldin (who was the shining star of the family).  Haldin's sister (Nathalie) is a strong character though inexperienced.  Razumov also encounters various Russian emigres, many involved in plotting against the government "back home" and anxious to employ both Razumov and Nathalie.

Conrad does a great job with this.  The story is told through the "Western eyes" of a middle-aged Englishman resident in Geneva who had come to know Haldin's sister (as her English teacher); he stays involved as things unfold and eventually has access to Razumov's diary.  The protagonist's struggles are really well done.

Conrad makes quite a lot of the inability of "Western eyes" to see/understand what was going on in Russia, and between Russians.  Not quite sure what to make of that.  Conrad was Polish - though moved to England and wrote in English - and had family experience with Tsarist-repression.  So there are several layers going on here.

Nostromo: A Tale of the Seaboard (Joseph Conrad, 1904)

I read this about six months ago at the gym. I much like Conrad's stuff, including this book. One thing that's interesting is that he uses the English language so well when he didn't learn it until his 20s (native Pole).

This is set in an imaginary South American republic (Costaguena). Conrad does a great job of setting up a pretty large group of interconnected characters. And really goes into depth. The descriptions of the local politicians and governments would be spot-on today, at the risk of sounding condescending or rascist (except the basic weaknesses in this area aren't at all confined to Latin America or any other geography). The good-hearted Englishman who brings along the mine into production to the benefit of the entire area, and ends up being pretty much owned by the mine. The local families. The old Italian who worshipped Garibaldi and ran a local lodging place. The cynical journalist who gets over being disconnected - by falling in love with a local - and stays to fight the good fight.

All with weaknesses, but the book is pretty optimistic in the end.

The central figure (Nostromo) is an Italian who heads what I guess you'd call the longshoremen. He is incorruptible; a heroic figure in the town; entrusted with hiding a bunch of silver; this leads to some erosion of his incorruptibility, you could say.

A more detailed description can be found here - but I'd stay away from the description and just read the book.

Lord Jim (Joseph Conrad, 1900)

I've wanted to read this book ever since we had a paperback version laying around at the farm. I liked it quite a bit, but I did think it was longer than necessary.

The premise is great - exploring what happens to someone that makes the wrong decision in a crucial situation that comes back to haunt him. Jim's decision revolved around a rusting ship filled with Muslim pilgrims; he was the ship's mate. The consequences led him to various postings progressively farther east, ultimately leading him to a deep-jungle posting where he experienced great success and then another failure. The narrator (Marlowe) finds Jim's case interesting because he is "one of us."

It does make you think about quick decisions under pressure, some of which are not good decisions. Most of the time there are few or no consequences, sometimes it's a disaster. We've all been in some version of this situation.

A good summary of the book can be found here.

I like Conrad's stuff, though I preferred "Victory" and "Heart of Darkness" over this one.

Victory: An Island Tale (Joseph Conrad, 1915)

European businessman living in Indonesia travels to a town on some island to do whatever business; saves a girl (playing in the hotel band) from an attacker and takes her back to the island where he lives; they fall in love.  The attacker seeks revenge, including via sending three guys to the protagonist's island to kill him.