"To compensate a little for the treachery and weakness of my memory, so extreme that it has happened to me more than once to pick up again, as recent and unknown to me, books which I had read carefully a few years before . . . I have adopted the habit for some time now of adding at the end of each book . . . the time I finished reading it and the judgment I have derived of it as a whole, so that this may represent to me at least the sense and general idea I had conceived of the author in reading it." (Montaigne, Book II, Essay 10 (publ. 1580))

Wednesday, September 26, 2018

The Tales of Chekhov (short story collection, late 19th century)

(620 pages)

Chekhov's reputation is so high that I've been looking around for collections of his short stories; bought this one on Amazon, it's a rather odd collection but nevertheless a fine introduction.

All I've previously read of Chekhov's work - this compilation of his longer stories.  I learn that he is mostly remembered for his short fiction (including items from this collection) and plays.

He must have been an entirely amazing fellow - medical practice, Sakhalin Island days, little things like that in addition to epic writing ability.

Recently saw a quote that seems apt - to the effect that the problem with short stories is that they are so difficult to remember.  That's certainly the case with this collection.  I genuinely looked forward to picking up the book every time I turned to it - that's typically the case, but ran at a deeper level with Chekhov's short stories, not sure why.  I'll stick with the usual explanation - "he sees us" - gently illuminating our foibles, and our wonderful-ness.

I much recall his ability to portray scenes in nature, or landscapes perhaps - the sun, especially when setting or rising; wind, specific birds offering sounds, clouds, bullfrogs, the scene changing as the sun moves, a hot day - this  is not important as his descriptions of his characters - but it helps make the stories entirely immersive.

Wednesday, September 19, 2018

Return of the Native (Thomas Hardy, 1878)

(275 pp)

I like this, though not as much as Hardy novels previously read (this one, and in particular this one).

Entirely set in village/rural/heath-country.  A countryside with which I'm not familiar, but I am pretty confident Hardy did an amazing job of describing - that part alone is captivating.

Diggory Venn is a "reddleman"; the book starts out as he assists Thomasin Yeobright (who had rejected his earlier marriage proposal); we meet her brother (Clym - who is the returning native), Damon Wildeve (proprietor of an inn), Eustacia Vye (thought perhaps to be a witch!), and various of their family members and the villagers.

The characters sort out their relationships.  I like that Hardy creates complex characters; no really bad ones, though the plot line is a little too tidy as it wraps up.


Thursday, September 06, 2018

The Lost City of Z (David Grann, 2005)

(319 pages)

Book club selection (via Nick; session held 5 September 2018).

I like this genre.  But so far had only read about it in the context of the Nile (Alan Moorehead's White Nile and Blue Nile, biographies of Stanley and Livingstone, etc.

It was interesting to think about the differences - the Nile was impossibly difficult, but the Amazon seemed far worse. 

Another point of reference was Arthur Conan Doyle's Lost World - a great story, and modeled to some extent on this adventure.

Story is built around a fellow named Percy Fawcett; he rattles around in British colonial outposts; like famous African explorers, he seems immune to the hardships.  Fawcett becomes convinced that the Amazon formerly supported large cities (or at least one large one), and works to raise funds, launch an expedition, and hope to find it.  Takes his son and his son's best friend on the final effort.

He disappears without a trace; various folks go looking for him (generally with awful results); the author also goes out into the Amazon, after a fashion.