Doctor Faustus - The Life of the German Composer Adrian Leverkuhn as Told by a Friend (Thomas Mann, 1947)

Not sure what I felt like after reading this.  I think it was extraordinary.  I think I like Thomas Mann an awful lot, at least based on this book, and also on this book.  I don't know much about Mann, what critics think, etc.  Maybe it's better that way.

This was an adaptation of the famous Faust tale; a story long prominent among Germans, particularly in relation to this work by Goethe.

It reminded me of The Magic Mountain in many respects - long discussions among characters, long book, long sequences with little or minor action - yet compelling throughout.

A "friend" of a famous (fictional, of course) German composer - Adrian Leverkuhn - is writing Leverkuhn's story.  Leverkuhn makes a Faustian bargain so as to be able to compose wondrous musical works.  Or does he?

Mann goes into long discussions of the nature of music and composition throughout the book - this was highly interesting to me - being long close to classical music, yet almost entirely ignorant on theory and composition.  An example:  Mann does this effectively through the character of Leverkuhn's teacher in Eisersachern - the lectures, the individual discussions - intrinsically interesting separate from the story.  Lots of references to Beethoven's 9th - the Ode to Joy, including chorus - a note of hope after all the turmoil in Beethoven's earlier works - how Leverkuhn's final composition is a sort of answer to the turn taken in Beethoven's 9th.  This element of the book was very thought-provoking, if not always directly pertaining to the plot line.

Leverkuhn studied theology before turning to music . . . interesting discussion by a theology department professor about good and evil - how a complete world needs both - how freedom granted by God would mean living in compliance - so would not a truer use of one's God-gifted freedom be noncompliance?  Or what?  This is all part of the set-up for the Faustian bargain.  If there was one.

Theology, demonology, music.

Leverkuhn 's friend is writing the story over a course of years during WWII . . . regularly updating on the course of events in WWII; these run in parallel with elements of the underlying story, which took place in the years surrounding WWI.

And of course there is political allegory here - Germany as making a Faustian bargain with Hitler - I rather expected this to be the extent of the book, but there is far more going on.

Interesting political discussion among the narrator and some acquaintances in the Nazi years - consensus forming that truth can, and should, be sacrificed to the community's needs - it's a longish discussion that I'm not capturing here, but resonated in a troublesome way with the orthodoxy/political correctness prevalent in the US these days.  Don't be too truthful, it might be uncomfortable.  The myth of the community.

Leverkuhn's musical breakthrough is modeled on Schoenberg's 12-tone work (which I know nothing about).

This was very good.  I need to spend more time with it.

Velazquez and The Surrender of Breda (Anthony Bailey, 2011)

There's just something about these newspaper and magazine writers that turn to writing books - they aren't as good at it.  Not sure how to explain, it's like they try too hard.

This was interesting, but not as much as I would have expected based on the review I had seen.  Part of the problem is that Velazquez - for all his talent and wide recognition - didn't leave much behind in terms of primary sources.  The author has quite a bit of information about what Velazquez was doing at different points in his life, but cannot really bring the biography to life because he is just guessing so much of the time.

Useful ideas:

1.  Helps connect ideas about a wealthy Spain - less than a century after Columbus showed up in the Americas - with ~20 years less since the days of Martin Luther - struggling to keep control of Protestant Netherlands.  Charles V gives up, replaced by Philip II.  Bloody, unnecessary, protracted struggle.  Gave rise to the titular picture.

2.  Velazquez talent identified early; he advances to court in Madrid and is favored with royal commissions thereafter.  Loved to travel to Italy.  Took on lots of administrative tasks.  Reminded me of the stories of Bach as more or less an employee, or of Goethe taking on governing tasks in Weimar. The idea of the artist as romantic/independent/superior hadn't arrived.

3.  The famous Las Meninas - pictures in pictures.  Parents visible in mirror, watching the scene being painted by the artist . . . who is watching them . . . etc.

4.  Spain continuing to hurt itself with expulsions of Jews and "Moors".  Closed, insular, Church-dominated.

5.  Velazquez not dominant in commercial art market because his works simply don't come to market.  But considered to be highly favored.  Proust has the Duc de Guermantes buying a painting that he hopes is a Valazquez; Swann doesn't support this.

Las Meninas

Song Without Words - The Photographs & Diaries of Countess Sophia Tolstoy (Leah Bendavid-Val, 2007)

This was very interesting and worthwhile, a great follow-on to books reachable by clicking here, to this valuable biography, and also to this quite entertaining movie.

It's pretty clear that Sophia Tolstoy was a pretty amazing person in her own right.

The author became aware that photos and diaries were available but not pulled together thematically or otherwise made readily accessible.  Thus the idea for the book.

Among the photos taken by Ms. Tolstoy:  many photos of Tolstoy - part of her goal of preserving his legacy.  Also numerous self-portraits and portraits of the children and grandchildren.  I particularly liked the peasant scenes around the Yasnaya Polyana estate.  This was in the very early days of photography, and even the description of the techniques and technology was interesting to me.

The diary excerpts were interesting and frank.

I liked this on quite a few levels.  Tolstoy (at least early Tolstoy, but even some of his later works) is a delightful author.  He and Sophia had quite the relationship (some of which, in the earlier stages, is a model for Anna Karenina passages).  The Russian history part is interesting.  It helps fill out one's picture of Tolstoy.

And as discussed elsewhere, it would be interesting to see if Tolstoy would have gone through the whole "Tolstoyan" schtick if he didn't know that Sophia was behind him making sure that the business side of his life was being taken care of.

Paris to the Past - Traveling Through French History by Train (Ina Caro, 2011)

I read through the entire book (parts of it, quite quickly).  I think it's valuable as a resource when planning a trip to Paris - it doesn't very work well to just read through it.

Saw a couple reviews, and the book looked interesting to me because we were planning a trip to Paris.  And I very much liked the idea of incorporating day trips by train.

But the book isn't really a travel book, and isn't really a history - though it attempts to be both.

That being said, I definitely could see it as something one would purchase in e-book form and use while in Paris.

The author is married to a famous biographer (Robert Caro); his biography of LBJ has been on my list for awhile.  She had a very annoying habit of constantly referring to whatever "Bob" was doing or thinking instead of just writing about whatever.