So what to make of all this? Back in 2007 I read the first two volumes, described here.
I read the remaining five volumes in 2008 but hadn't yet put down any thoughts about this. The final five volumes were:
3) The Guermantes Way
4) Cities of the Plain
5) The Captive
6) The Fugitive
7) Time Regained
I haven't read anything like this. In part because 3300 pages gives an author so much canvas with which to work.
Proust is astonishly good at writing scenes involving conversation - he has a near-perfect ear for the manner in which people speak to one another. He also is a great observer of human behavior, one example being the way he describes how people - and this includes all of us - mentally construct justifications for whatever it is we choose to do at any given time - whether based on expediency, kindness, honest effort or whatever. Read this book, and you will be better at catching yourself doing this.
Some thoughts:
1. The role of memory. Perspectives on how our past affects and enriches our present.
2. I've never read anyone make such an effort to put into words the way that music works (knowing that by definition words cannot suffice). But it is an interesting, useful attempt This primarily is done through the device of Vintuel's sonata.
3. Similar effort with art per the painter, Elstir.
4. Similar effort with performing arts through Berma.
5. Similar effort with literature through Bergotte.
6. Proust's ability to describe - in long passages to be sure - the beauty in what might be considered mundane (hawthorn tree).
7. The richness and depth of our relationships and conversations - there is really so much going on if one slows down and takes notice.
8. The difficulty of appreciating these things unless break the chains of habit, the constant need to push ourselves away from habit, superficiality of what is now referred to as the news cycle, etc.
9. The impossibility of personal growth or useful thinking without some quiet time alone. Now considered peculiar behavior.
10. How despite the richness of relationships, art, nature around us, we ultimately are alone (the moment when his grandmother knew the severity of the stroke she had suffered, the loss of memory she was experiencing, the lonely downward path ahead)
11. Guermantes Way, Meseglise Way, Swann's Way - more than roads.
12. He constantly is pointing out the foibles of the aristocracy (and others for that matter). But still is painting characters of great complexity - a reminder that there is usually something there. The hastening decline of the aristocracy (after all, this was written in early 20th century).
13. Interesting WWI scenes toward the end.
14. Albertine. Charles Swann. Gilberte Swann. Odette. Baron de Charlus. Morel. Robert de Saint Loup. Oriane Guermantes and husband. Faubourg St. Germain. The Verdurins and the "faithful."
15. Numerous wealthy folks with apparently little to keep them occupied, leading to some less than constructive behaviors.
16. The narrator's effort - at long last - to write a great work about memory et al; the device of the party that he attends later in life where the attendees are wearing "masks."
Lots more going on here than I can grasp. I will buy a copy and page through this every now and again.
Too often I read a book, and then quickly forget most of it (or all of it, for less memorable works). I'm hoping this site helps me remember at least something of what I read. (Blog commenced July 2006. Earlier posts are taken from book notes.) (Very occasional notes about movies or concerts may also appear here from time to time.)
"To compensate a little for the treachery and weakness of my memory, so extreme that it has happened to me more than once to pick up again, as recent and unknown to me, books which I had read carefully a few years before . . . I have adopted the habit for some time now of adding at the end of each book . . . the time I finished reading it and the judgment I have derived of it as a whole, so that this may represent to me at least the sense and general idea I had conceived of the author in reading it." (Montaigne, Book II, Essay 10 (publ. 1580))
Thursday, February 12, 2009
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