Taylor King concert (round 2) (Anaheim, CA, July 20, 2010)

As part of our recent trip to Laguna Beach, PJ and I attended what was the final performance for the Troubadour Reunion Tour (Carole King and James Taylor). We had previously attended in Glendale, described here.

We liked it a lot, for all the same reasons noted in the prior post. I had been reading in the newspaper how this tour had just blown away all expectations for ticket sales in what has otherwise been a very down year for the concert tour business. Somehow they are very much striking the right chord.

It was a different crowd than in Arizona - more immediately responsive, but not better. Hard to believe at this age they were on the road this long (he's 62, she's 68).

I had sought tickets late, but we were pretty lucky with this - first row in upper level. That actually works quite nicely. With the revolving stage in the middle of the arena and the various video boards, it was a good location.

Here's a short clip taken via cellphone video (from someone who lugged around massive video cameras for years: who can believe a cellphone can take video even of this quality?) It's a portion of "Sweet Baby James," which is performed following his little story about writing it for his nephew . . . live, the violin line sounded good (example here at 0:30), as did Carole King singing a line against the melody (starting around 1:00).



Lots of very nice moments, including the tour finale (same song they ended with in Glendale) (Close Your Eyes) . . .



Then the GPS directed us out of Anaheim and back to Laguna Beach, a kind service without which we might have been circling quite awhile.

The Island of the Day Before (Umberto Eco, 1994)

I liked The Name of the Rose a great deal. I liked Foucault's Pendulum quite a bit. So I read this on the strength of Umberto Eco as author. Didn't work out as well.

I never really did figure out what Eco was up to in this one. It's worth reading because there is a ton of interesting things floating around - ideas about the efforts to figure out longitude; politics and battles at the time of the 30 Years War; Richelieu and Mazarin; etc.; long discussions about knowledge, religious belief compared to scientific method, role of imagination; etc.

So I think the best aspect - and perhaps what Eco was up to - was giving the reader a window into the mindset and conversations of the first half of the 17th century.

As far as the plot - the protagonist (Roberto) is shipwrecked, and ends up being washed up onto an abandoned ship moored just far enough off a south seas island such that Roberto - a non-swimmer - is pretty much trapped. The abandoned ship relates to the intrigues surrounding the efforts to be the first to reliably calculate longitudes, and Roberto explores. While imagining things with a woman back in Paris whom he hopes to love.

The Burning Land (Bernard Cornwell, 2009)

Another historical novel by Cornwell (#4 for me) - apparently he has recently written several novels set in the 9th century in what will become England. Reviewers indicate that this story is based on a number of somewhat well documented historical episodes.

Read a favorable review in WSJ so tried this. More of a page-turner, but Cornwell's research and story-telling are very strong. He can make you imagine what this might have felt like. Details about battles, politics, etc. Very enjoyable to read (on the stairmaster).

King Alfred dreams of uniting Angle-land as a Christian kingdom; but relies on Uhtred (pagan protagonist) for military success.

They are dealing with several Danish invasions. Alfred's son (to be King Edward) is being groomed. There is an angry Danish woman named Skade. Uhtred is loyal to Alfred's daughter.

Candide - the Optimist (or All for the Best) (Voltaire, 1759)

I had never gotten around to reading this short work. It is one of Voltaire's most famous works; one of the more famous works in Western literature. It is a satire; among other things, he was reacting to the optimism of Leibniz, who considered that God had placed us in the best of all possible worlds.

Voltaire notes all of the suffering and bad behavior that the world always features; current events included the Seven Years War and the Lisbon earthquake (which happened on Sunday, resulting in the roasting of many churchgoers in the fires that followed the quake (including those not killed in the collapse of the churches)).

Candide is candid and pretty much retains his optimism despite going through some amazingly tough times, starting with being kicked out of the house and being pressed into the Bulgarian army. (Optimism had been instilled in him by his tutor, Pangloss, a Leibniz adherent (at least for awhile)).

All sorts of messaging; all sorts of controversy as he fairly directly criticized governments, royal houses, organized religion, etc.

Lots of philosophical debate among Candide, Pangloss, Martin. Voltaire is pointing out this leads to a dead end. Yet the ending of the story is very positive - great line from Candide as he snuffs another philosophical debate: "'Tis well said," replied Candide, "but we must cultivate our gardens."

The "Modern Library" version was neat - included the setting and illustrations from a 1920s edition.

The Temptation of St. Antony (Gustave Flaubert, 1874)

Flaubert is much better known for Madame Bovary (on our Great Books reading lists in the late 1970s) and A Sentimental Education (discussed here). He took a stab at doing a - well, I don't know how to describe this, a fantasy? - early in his career. This was based on the famous temptations endured by St. Antony (one of those third-century saints who lived as a hermit in the desert, or was up on a pole for awhile, or perhaps both). But his friends told him the book was awful.

He came back to the idea in the 1870s - after tinkering with it from time to time, and after finding great success with the two books noted.

I didn't quite know what to make of it. St. Antony is weak with hunger, somewhat regretful of the path he took; endures a long night in which every type of temptation shows up. Flaubert must have been incredibly knowledgeable about ancient gods, old heresies, myths, etc.

Artists liked this story also, I include a painting attributed to Bosch.