"To compensate a little for the treachery and weakness of my memory, so extreme that it has happened to me more than once to pick up again, as recent and unknown to me, books which I had read carefully a few years before . . . I have adopted the habit for some time now of adding at the end of each book . . . the time I finished reading it and the judgment I have derived of it as a whole, so that this may represent to me at least the sense and general idea I had conceived of the author in reading it." (Montaigne, Book II, Essay 10 (publ. 1580))

Wednesday, August 04, 2010

Inception

We had heard lots of good things about the movie "Inception" from various sources, so Patricia and I went to see it this afternoon (with Paul Jr. and Pat Herrera). Leonardo DiCaprio is the lead - he is expert at utilizing technology to invade dreams - seems the technology is used regularly as a corporate espionage tool. But now he is hired by a corporation to implant an idea in the mind of the principal of a competing firm, which we're told is much more difficult to accomplish.

Longish but engaging; I was a little concerned during the first hour but ended up liking the movie. Definitely in the summer blockbuster field with lots of action, chases, shooting, etc. But much more thoughtful. Four layers of dreams are depicted simultaneously toward the climax. I still can't figure out a number of things, especially the way the opening scenes fit with the rest of the movie.

He had a complicated relationship, let's say, with his dead wife. (I read that there is Edith Piaf music on the soundtrack.)

The special effects were really well done, especially the scenes where they were floating in the hallway (a couple dream layers down). And this is the kind of movie - depicting dream worlds - where the effects actually add something to the storyline.

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