"To compensate a little for the treachery and weakness of my memory, so extreme that it has happened to me more than once to pick up again, as recent and unknown to me, books which I had read carefully a few years before . . . I have adopted the habit for some time now of adding at the end of each book . . . the time I finished reading it and the judgment I have derived of it as a whole, so that this may represent to me at least the sense and general idea I had conceived of the author in reading it." (Montaigne, Book II, Essay 10 (publ. 1580))

Saturday, October 02, 2010

The Charterhouse of Parma (Stendahl, 1839)

I liked The Red and the Black so was looking forward to this one. Also because I had for the first time (and quite recently) paid some attention to Napoleon's early military success in Italy in this book - so the setting seemed quite familiar territory. And Zamoya talked about Stendahl and his participation in the retreat from Moscow in this book.

I read that Stendahl is categorized by some as an early "realist". OK.

Numerous strong characters; perhaps the lead is Fabrizio de Dongo - his father is collaborating with the Austrians, but Fabrizio runs off and appears, if ineffectively, at Waterloo. His aunt (Duchessa Sanseverina) is a great character, as is Count Mosca - who works for a despotic prince. Clelia Conti, daughter of the warden at the infamous Farnese Tower, falls for Fabrizio.

Fabrizio - despite lacking any apparent inclination for the job - becomes a leading cleric in Parma. Intrigues with court factions. Etc.

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