"To compensate a little for the treachery and weakness of my memory, so extreme that it has happened to me more than once to pick up again, as recent and unknown to me, books which I had read carefully a few years before . . . I have adopted the habit for some time now of adding at the end of each book . . . the time I finished reading it and the judgment I have derived of it as a whole, so that this may represent to me at least the sense and general idea I had conceived of the author in reading it." (Montaigne, Book II, Essay 10 (publ. 1580))

Monday, January 12, 2015

Lina & Serge - The Love & Wars of Lina Prokofiev (Simon Morrison, 2013)

A very interesting and personal (due to access to family correspondence) look at what happened to Lina Prokofiev - and also of great interest from a general-historical perspective as her experiences unfold across the big events of the 20th century, with a focus on Russia.

(Also the story is made more interesting to us as we learn more about, and increasingly like, Prokofiev's music; for example Alexander Nevsky (performed with MusicFest in 2013), plus his second piano concerto performed with Phoenix Symphony by the 2013 Van Cliburn winner while I was in the midst of this book.)

Lina's mother was Russian; her father was Spanish; she tended to identify with the Russian side due to a grandmother.  The parents were actor/singer types of mediocre stature; ended up in U.S. to do performances, so Lina mostly grew up here, mostly in NY.  She aspired to be a singer - nice soprano voice but not quite enough.  Family was well-connected in Russian emigre circles.  She meets the talented Serge Prokofiev - somewhat struggling to break through notwithstanding his talent - and fell in love with him.  Serge seemed to behave mostly like a jerk throughout; she follows him to Europe; he finally agrees to marry after a number of years (once she's pregnant).

1930s - for propaganda purposes, Stalin wants Russian artists to come home (many had fled in aftermath of Bolshevik revolution) - Serge and Lina are enticed to return with promises of special treatment, honors, artistic freedom, etc.  Misgivings; they are tailed while in Paris during this time; but Serge felt the opportunity would be better in the Soviet Union, especially based on a Potemkin tour, I'll call it, arranged while they were considering their decision.

Once there - not possible to defect.  Some relatively good times early and they did live with special privileges; this fluctuates as Serge moves in and out of favor; Lina's singing career doesn't take off though they do perform together some; she is suspect to the authorities because of friendships with foreigners via embassies.  Tense, difficult, quite unimaginable.

Serge falls in love with a younger woman; is evacuated from Moscow as Hitler invades; Lina left behind to cope, with their two sons.  She was able to get excused after a day or so from the amazing tasks performed by the citizen teams digging tank traps on Moscow periphery - in favor of a desk job - but endured the bombing and food shortages (all as discussed here).  After the war - she's sent to the gulag for a 10-year sentence (or a "tenner" as these were called in Solzhenitsyn's book).  Just an amazing story, and she must have been a really tough individual.  Eventually released after Stalin dies.

Sad and sad.  Compelling throughout.  What folks like this lived through = just unbelievable.

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