"To compensate a little for the treachery and weakness of my memory, so extreme that it has happened to me more than once to pick up again, as recent and unknown to me, books which I had read carefully a few years before . . . I have adopted the habit for some time now of adding at the end of each book . . . the time I finished reading it and the judgment I have derived of it as a whole, so that this may represent to me at least the sense and general idea I had conceived of the author in reading it." (Montaigne, Book II, Essay 10 (publ. 1580))

Friday, August 08, 2014

Notes from Underground (Fyodor Dostoevsky, 1864)

Decided to read this book while reading this most interesting biography of Dostoevsky.  Short; just a bit over 100 pages in this edition.

Notes from Underground was written at a turning point in Dostoevsky's career.  His initial successes had dimmed; he had lived as an exiled convict.  The protagonist is a disaffected government worker who has gone underground, i.e. stepped out of normal society.  Bitter, unhappy, etc.  A type Dostoevsky is observing as Russia changes, also resonant with parts of the exile community.

Notes starts with a statement of the protagonist's philosophy - said to reflect closely the author's own views at this time - the paramount importance of free will, even if irrational or harmful to the individual exercising it - rejecting "the Utopian socialism to which he once owed allegiance" - which I understood to hold that human behavior can be happily engineered via experts employing reason.  Protagonist is bitter, cynical, observant to a point.  "I am a sick man" - famous opening line.

Second part of Notes is referred to as the Story of the Falling Sleet.  One aspect is a sad scene where the protagonist is utterly incapable of connecting with his school pals (I read this was based somewhat on the author's unhappy experience in military engineering school - orchestrated/forced by his father.)  More centrally:  he then meets up with Liza - the fallen woman - severely painful interactions.  Liza perhaps somewhat foreshadows Sonya (Crime and Punishment).  These scenes are wonderfully written - yes, painful.

The impoverished protagonist doesn't have a very satisfying relationship with his valet.

After Notes - pretty much a direct path to Crime and Punishment and enduring fame for the author (along with continuing personal challenges:  bio is must-read).

Dostoevsky = hard to beat.

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