"To compensate a little for the treachery and weakness of my memory, so extreme that it has happened to me more than once to pick up again, as recent and unknown to me, books which I had read carefully a few years before . . . I have adopted the habit for some time now of adding at the end of each book . . . the time I finished reading it and the judgment I have derived of it as a whole, so that this may represent to me at least the sense and general idea I had conceived of the author in reading it." (Montaigne, Book II, Essay 10 (publ. 1580))

Thursday, August 14, 2014

Joseph and His Brothers (Thomas Mann; published in four volumes in 1933, 1934, 1936, 1943)

I'll repeat:  I'm a big fan of Thomas Mann.  So I knew I would take up this work - but was wondering - what's going on here?  1,500 pages to re-tell, or re-cast, Old Testament stories that Mann's reader-universe already knew intimately?

The introductory materials indicate that Mann saw this work as his magnus opus - but that clearly isn't anyone else's perception.  Too long for widespread readership.  Rocky start - he was already in exile before the first volume was published in his native (now-Nazi) Germany, making it unlikely that there would be any critical acclaim or wide distribution.  Etc.

Written over the course of 16 years - last volume written in "sunny California."

I love Mann's writing style - wordy, full of ideas, spinning out conversations and ideas in tremendous detail.  It works for me.

This book reminds me that Bible is full of foundation stories - marvelous, profound, human.

And it's pretty much common sense that Bible knowledge is useful if not indispensable in absorbing so many great works of Western culture (as discussed here).

Mann has a highly effective way of communicating how deep the past runs - how long folks have been living the foundation stories.  The opening sentences of the book:  "Deep is the well of the past.  Should we not call it bottomless?"

Interesting aspect - Mann describes Yahweh's covenant with Israel as a win-win - Abram (as he was then known) restlessly looking for an ur-God; on the other hand, God can't have a presence on earth without a people dedicated to Him.  Playing with the idea of a God with needs!

But the basic element here:  marvelous stories.  (And they're marvelous stories even before Mann expands them in his wonderful style.)  A sampling (not always in chronological order):
  • Abram - the wanderer; the covenant.
  • Abraham and Sarah - time in Egypt.  Ismael via slave girl.
  • Isaak via Sarah - though she was too old.
  • Abraham and Isaak; the sacrifice.
  • Abraham's servant - Eliezer - sent on a long journey to find a wife for Isaak - but goes quickly, the earth leaps up to meet him!
  • Isaak and Rebekah
  • Esau (the hairy one) and Jacob
  • Rebekah helps Jacob get Isaak's blessing
  • Esau the unfavored older son - like Cain - echoes within Jacob's group of sons
  • Jacob wrestles with the angel
  • Rebekah sends Jacob far away to live with her brother Laban (so the tense situation with Esau might have a chance to settle down); she never sees her favorite again
  • Jacob makes Laban wealthy, starting with finding a well for him; Laban distrustful and untrustworthy
  • Laban sneaking in Leah (in place of Rachel) after Jacob works seven years to get Rachel
  • Jacob and Rachel - after seven more years
  • The 12 sons of Jacob; leading to the 12 tribes of Israel 
  • Leah fertile; Rachel supplying only #11 (Joseph) and #12 (Benjamin) 
  • Reuben - eldest; Simeon and Levi - warlike in this telling; Judah #4
  • Four of the 12 sons born to Jacob by slave-girls (when nothing happening with Leah or Rachel)
  • Jacob outwitting Laban the deceiver; starts the return to the homeland
  • Rachel dying along the road after giving birth to Benjamin
  • Jacob transferring favoritism from Rachel to Joseph (he had her eyes, after all); hard feelings among Joseph's bros
  • Jacob the King of Flocks - the blessed one - everything he touches turns out well
  • Jacob the trickster
  • Jacob the mystic, the ascetic
  • Jacob individually with the name "Israel"
  • Joseph wheedles the coat of many colors out of Jacob (in this telling, it is a fantastic unisex gown of some sort that Laban had acquired for his daughter to wear at her wedding)
  • Joseph in the pit; Joseph sold to passersby; bros telling Jacob that Joseph must have been killed by a wild beast
  • Joseph sold into the house of Potiphar (powerful, wealthy courtier of Pharaoh) - quickly rises from bottom rung to chief steward
  • Potiphar's wife finally notices Joseph, and how
  • Potiphar's wife asks Potiphar to send Joseph away - this scene was brilliantly written; Potiphar demurs
  • Joseph talks business with Potiphar's wife, too much
  • Joseph - back to the pit; his "calm" jailer; Joseph correctly interprets dreams for two jailed members of Pharaoh's senior household staff
  • Joseph called from prison to interpret Pharaoh's dreams (after the professional interpreters failed) - foresees seven years of plenty, seven years of famine
  • Pharaoh appoints Joseph as his chief steward; preparations for famine
  • Joseph's brothers (without Benjamin) come to Egypt - the only place with grain - but don't recognize Joseph.  
  • The reveal - on return trip - to the 11 bros only.
  • Perhaps my very favorite part of the story:  how Jacob learns, after all these years, that Joseph is alive and well.  The role of the songs of Serah in gently breaking the news to much-aged Jacob that Joseph lives - just delightful.
  • The name "Israel" now also refers to Jacob's family - Israel moves to Egypt at Joseph's behest.
  • Judah - the lion - foreshadowing lineage to come - receives Jacob's blessing.  Not Joseph.
  • Tamar - believes Jacob's stories, foresees Judah as receiving the blessing, inserts herself into the key lineage (marries two of Judah's sons in succession (both die quickly); then seduces Judah himself)
  • Jacob buried back in the land of his ancestors - not Egypt.
Trust me:  there's lots more over the course of 1500 pages.  Just delightful.

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