"To compensate a little for the treachery and weakness of my memory, so extreme that it has happened to me more than once to pick up again, as recent and unknown to me, books which I had read carefully a few years before . . . I have adopted the habit for some time now of adding at the end of each book . . . the time I finished reading it and the judgment I have derived of it as a whole, so that this may represent to me at least the sense and general idea I had conceived of the author in reading it." (Montaigne, Book II, Essay 10 (publ. 1580))

Monday, June 03, 2024

Sugar Street (part three of The Cairo Trilogy) (Naguib Mahfouz, 1956)

Overall comment spanning parts 1-3 - I really liked this. Length (trilogy format) allows author to develop the family characters. Story line nonetheless compact. Brings out a variety of characters, viewpoints, interests, behaviors; brings out the transition in Egypt from traditional ways to 20th century modernity; excellent with dialogue and especially with showing thoughts, reactions, emotions internal to each character.  And it's set in a part of the world that is not normally the subject of novels as least as far as I've encountered. I hope I learned something as well as enjoying the story, though the latter would be sufficient.

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Specific to part 3 - 

(328 pages_

The next generation is growing up.  Yasin's son (Ridwan) getting well-connected; he takes after his father in looks.  We start seeing the parts of the story through the next-gen eyes.

It's now the 1930s. Egyptian nationalists still desiring to throw out the English but now Nazis and Italian fascists are recognized threats.

Khadija's son Ahmad - admires Kamal - disconnecting from traditional religion to Khadija's dismay - good discussions about how that happens.

Ahmad's brother is part of a group of young men who belief in a holy man - circa p. 1064 - a discussion of Egypt (or Arab world writ large) in relation to other countries - this sounds remarkably similar to today's conversations. "True belief" and faith (fundamentalist Islam) against materialistic cultures that won't stand.

This brother is in the "Muslim Brotherhood"; Ahmad seems himself as a Communist.

The health of the father (Sayyid) continues to deteriorate even though he is only in his early 60s; same is happening to his three closest friends - presumably a message about the effect of their habits.

Aisha's sadness.

Ahmad in love with fellow sociology student, then a co-worker.  Kamal getting older, still resistant to marriage. Lots of discussion of his thoughts on not getting married; reverberations from youth.

Throughout parts 1-2, Kamal is working as a writer - but lots of reflections by him and conversations with others about the value of his work - tends to be abstract/pure thought of limited interest.  How long to stick with this? Kamal continues teaching.  Ahmad writes for a magazine.

World War II arrives.

Role reversal - Sayyid is confined to the home (and then to his bed), Amina (the mother) is able to leave every day (visits mosques and her nearby relatives).

There is an air raid - more intense than those that preceded it - author does a really good job communicating this.  The father is forced to walk down the stairs and to a sheltered area, this is very hard on him.  The author does a really good job communicating this also. Sayyid's passing within a day or two - the author does a really good job with this.  Sayyid with outsize influence despite (or in part because of) his domineering and wayward ways - a core of family care that everyone noticed and relied on.

Author does a good job voicing the views of the Muslim Brotherhood and the Communists - same rhetoric as always.  Authorities dislike.

I like that he doesn't wrap up with some tidy resolution of Kamal's marriage or professional status or beliefs.  The world is changing, Amina on her last days, on it will somehow go.

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